Download Ebook What Remains: A Memoir of Fate, Friendship, and Love, by Carole Radziwill

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Review

"A moving testimony to the tenuous nature of love and life." -- USA Today"Stunning...Radziwill gets at the essence of what matters -- friendship, compassion, destiny." -- Oprah Winfrey, O, the oprah Magazine"A riveting and heartbreaking journey." -- Jeannette Walls, author of The Glass Castle"A stunning memoir of love and loss...Carole Radziwill is a natural storyteller." -- O, The Oprah Magazine"One of the best memoirs...a small masterpiece...devastating and beautifully written." -- New York Post"Powerfully affecting...a highly compelling read." -- Vogue"Bittersweet and tender." -- The New York Times Book Review

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About the Author

Carole Radziwill worked as an award-winning journalist with ABC News for fifteen years. She is the author of the New York Times bestseller What Remains, the novel A Widow's Guide to Sex and Dating, and she stars on the Bravo reality show The Real Housewives of New York.

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Product details

Paperback: 264 pages

Publisher: Scribner; Reprint edition (June 5, 2007)

Language: English

ISBN-10: 074327718X

ISBN-13: 978-0743277181

Product Dimensions:

5.5 x 0.7 x 8.4 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

1,303 customer reviews

Amazon Best Sellers Rank:

#14,899 in Books (See Top 100 in Books)

I rarely write reviews on books because I feel that books are very subjective - they transport each of us to different places. But I felt compelled to write a review after finishing this book because I know that had I read this book when it was released, I would have given it one star...but a few life altering years later, I now give it five.I understand the reviews indicating that the book seemed self-congratulatory and that her feelings toward her husband seemed glib, if not downright cold. Again, feelings I would have shared upon the book's release. Now, I choose to applaud Ms. Radziwill for her candor and honesty.I watched my mother battle and succumb to a terrible rare, but deadly illness. Our lives were very much the same as Anthony's - one step forward, two steps back. But this is not about my situation, but rather, the lens I was able to use while reading it.This is a story of a woman who achieved a great deal of professional success and was on the cusp of the proverbial fairy tale. But life dealt her marriage a terrible blow with this devastating cancer that plagued them. It didn't come & stay...it came & went, again and again and again. I believe that, in & of itself, is terribly sad. You have dreams, you dismantle your dreams, you believe in them again, they are shattered again. Yes, I know many people face these difficulties & other hardships, but she is trying to explain how she lived and coped in her own personal way. I had deep appreciation for her willingness to discuss her gamut of feelings throughout those years. When an illness overwhelms your life personally, or by proxy, it is all consuming. It's 24/7. She gave a voice to the spectrum of emotions she felt.It was no secret that John Kennedy Jr. was her husband's cousin and best friend, so I'm astounded by the number of people who choose to view her relationship with Carolyn in a negative manner. She was illustrating a shared kinship of two girls from remarkably similar backgrounds who ended up royalty (actual and American) in the most fabled and studied family in modern America. I, personally, enjoyed how she humanized Carolyn, gave her a voice, let us get to know who she was. I loved their friendship and their support network.This, ultimately, is a book written by a woman who is grieving the loss of her husband and the sudden loss of her best friend. I honestly think that if you have not experienced one or the other that you will not fully appreciate this book, that you will, perhaps, "side" with the negative reviews. She states quite clearly that when you are grieving, what remains are your memories and your stories. Her catharsis is to share hers. As someone who watched the person I loved more than anyone else ravaged by a terrible illness for many years, I appreciated her candor. As someone who relied on my friendships to get through that time, I appreciated her willingness to tell her stories with Carolyn. I can't imagine losing the entire foundation of my personal life within mere weeks of each other.It's a beautiful tome to love, loss, and friendship - it's a book that sticks with you. I think it's a book that can be read and re-read at different times in our lives and appreciated in different ways. To me, that's the mark of a five star book.

Having watched Carole on the Real Housewives, I was interested n this book from the get go, but it far exceeded my hopes and expectations. What a beautiful, easy writing style she has. I was completely enthralled by every page, each story and loved her even more after learning of the difficulties life has handed her. She is a true testament to the fact that fame, money and notoriety do not exclude a person from heartache and pain. I rarely share books anymore, but this one has been purchased, read and shared by many of my friends, upon my recommendation. They all loved it, whether or not they knew of Radziwill ahead of time. Can't wait to read all her books.

My Dear Mrs. Radziwill;I want you to know that you have written an unforgettable book; one that should be a classic on love, life and dying. You have written what it is like to be a stranger entering a very close family; one where everyone knows each other and they all have little secrets, comments, stories about each other. How it feels to integrate into that family thinking you will be there forever, and how to lose the most important of those people to you. How to get through the tragedy and the commonplace.Thank you. Thank you for writing this. I am so sorry you lived it.

When I first ran across Carole Radziwill she was just another self-promoter on Real Housewives of New York - they all have some product they're pushing, whether it's wine, toaster ovens, or bottles of diet alcohol. Carole was billed as a writer so that meant books.I'll admit though, I became curious. She was on the way to London to pick up her husband's ashes and she talked about her experiences on the show. I'm widowed as well and I became curious. She'd made some cracks about "widow is the new virgin" which was pretty obnoxious but her feelings on camera seemed real.Her memoir showed a different picture than the "all work and no play makes me a happy girl" tv persona. She'd grown up hardscrabble, in a large family that sounded both loving and difficult. Her incredible drive came through in every sentence, and while it took her far, it must have been incredibly painful to live with. She clearlly wanted to be at the top and center of the world as she saw it: as a journalist, a writer, a woman, and a social being. And why not? She'd seen it on television and she went for it -- and even got it.She writes movingly of her husband's cancer treatment and how they coped. However the relationship that she writes of most beautifully and movingly was of her friendship with Carolyn Bessette. There was clearly a bond between these two girls who'd grown up so differently from their husbands but it was more than that. The Carolyn Bessette that most of us knew about was a cardboard figure, a cariacature, courtesy of the media, who'd known how to play hardball with the nation's most eligible bachelor and who summoned Martha Stewart to teach her to cook (I read it in the New York Post so it must be true). Carole's Carolyn was a beautiful, rare person who understood suffering immediately and knew how to help with humor, love and compassion.Carole makes the loss feel immedate and real - the fateful plane accident succeeded a few weeks later by the death of her husband. She'd lost her entire world.And yet she has prevailed and written this book. Is it great literature? No? It doesn't need to be. It's simply a reminder that anything can happen to anyone at any time, and that the picture of the rich and famous we see online and in the press is only that - a picture and not the whole story.It's a very interesting book and if you are dealing with any sort of loss, well, hopefully it's helpful. I found it to be so.

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Free Download Money Mastery: Making Sense of Making Money for Making a Difference

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Money Mastery: Making Sense of Making Money for Making a Difference

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Product details

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margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 4 hours and 18 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Harrison House Publishers

Audible.com Release Date: December 13, 2017

Language: English, English

ASIN: B0787N9D7G

Amazon Best Sellers Rank:

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PDF Download Buffalo Architecture: A Guide, by Reyner Banham

PDF Download Buffalo Architecture: A Guide, by Reyner Banham

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Buffalo Architecture: A Guide, by Reyner Banham

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From the Back Cover

For its size, the city of Buffalo, New York, possesses a remarkable number and variety of architectural masterpieces from the late nineteenth and early twentieth centuries: Adler and Sullivan's Prudential building, H.H. Richardson's massive Buffalo State Hospital, Richard Upjohn's St. Paul's Episcopal Cathedral, five Prairie Houses by Frank Lloyd Wright, and buildings by Daniel Burnham, Albert Kahn, and the firms of McKim, Mead and White and Lockwood, Greene and Company, among others.

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About the Author

Henry Russell Hitchcock was a well known architectural historian and Professor at the New York University Institute of Fine Arts.

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Product details

Series: The MIT Press

Paperback: 336 pages

Publisher: The MIT Press; Third printing, 1982 edition (October 19, 1981)

Language: English

ISBN-10: 9780262520638

ISBN-13: 978-0262520638

ASIN: 026252063X

Product Dimensions:

5 x 0.6 x 9 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#193,322 in Books (See Top 100 in Books)

Reading all the rave reviews on this page made this an easy purchase, but I was disappointed with what arrived.This thin, outdated catalog is not the kind of quality you would expect for the architectural treasure that is Buffalo. This city achieved fabulous material and spiritual wealth as the focal point of three important socioeconomic events - economic growth as a result of the completion of the Erie Canal, the expansion of the Second Great Awakening, and the expansion of European immigration. Buffalo's rich architecture belies its reputation as a desperately poor, crime-ridden, ugly city. In fact, one can argue (as I do) that it contains the most important ensemble of 19th-century urban architecture in the United States, and its Victorian cityscape is among the best in the world. Buffalo deserves a better book.What you get here is a catalog of landmark structures, chosen and published in 1981. The book is standard AIA format, though it is not an AIA publication. The sites are organized into geographic areas. Some of the 200 featured structures come with a brief descriptive essay, some come with a short descriptive sentence, and a few include no description at all, other than a name and address. The catalog itself is woefully incomplete. All the sites are in downtown, near north or near west sides. The important EAST SIDE, Broadway and Ellicott are almost entirely absent, and essentially dismissed as "troubled areas." That's too bad. People who know Buffalo know what kind of treasures are hiding in these "troubled areas," and they are urgently important to the architectural and cultural history of the city. For example, three conspicuously omitted landmarks are St. Mary of Sorrows Roman Catholic Church (a National Historic Landmark), St. Adalbert's Basilica (the first basilica in the United States), and Canisius College.The photography is also incomplete, with only about half of the entries including one. If there is a photograph, it is of purely pragmatic, stock quality. There's no attempt at artistry, but there are a few interesting interior shots.So, while it's nice to have SOMETHING which represents awesome Buffalo, we need a serious expansion and update of current offerings, particularly with the National Trust for Historic Preservation coming to town in October 2011!This book can be used as a decent walking tour guide for serious cultural tourists, but its relative lack of detail will make its value limited for architectural historians.

Great book, fast delivery

This book is a comprehensive review of numerous architectural marvels-- treasures that rarely exist in other US cities. The downtown "skyscrapers" constructed at the turn of the century have endured as a result of the economic downfall of a great city Fortunately, in regard to these works of art, there was no money available to destroy these buildings and replace them with "modern" designs. "Lemons" to some, turned into a very fine visual lemonade! A reminder that things from the past can be truly appreciated today! I've alreaady recommended this book to many.

people have to see how great buffalo is and was; lovely old pictures, lovely old homes, lots of snow, quite a history

Good as expected but a little outdated and not every building named has a picture

This book acts in many ways as the unofficial guidebook to exploring what is one of the most important architectural cities in America.For those who are familiar with Buffalo and those who are not the book is filled with a splendid variety of both well known Richardson and Wright masterpieces and some not so well known masterpieces. Its divided into sections based on the geography of the city so it makes the perfect book if one wants to set out exploring. Buffalos neighborhoods and amazing housing stock are unparalleled in size and preservation nationwide. Its American Indian inspired art deco city hall, perhaps the finest building of its type in the nation is just one of buildings you will find profiled. Reyner Banham ,the editor,was at the time was on the faculty at the State University of New York at Buffalo School of Architecture. His wonderful book about the origins of the modern movement and its ties to Buffalos grain elevators, A Concrete Atlantis could act as a supplement to Buffalo Architecture: A Guide if you are interested in Buffalos industrial buildings as well...

The book rocks, so does the city. Buy it!

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Ebook Download The New Catalog of Maya Hieroglyphs, Volume One: The Classic Period Inscriptions (The Civilization of the American Indian Series)

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The New Catalog of Maya Hieroglyphs, Volume One: The Classic Period Inscriptions (The Civilization of the American Indian Series)

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Review

"A major contribution to the field.”—Michael Coe, author of Breaking the Maya Code

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About the Author

Martha J. Macri is Professor Emerita of Native American Studies and Research Professor in Linguistics at the University of California, Davis. She is a co-principal investigator for the Maya Hieroglyphic Database project funded by the National Science Foundation and the National Endowment for the Humanities.

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Product details

Series: The Civilization of the American Indian Series (Book 247)

Paperback: 394 pages

Publisher: University of Oklahoma Press; First edition (February 4, 2013)

Language: English

ISBN-10: 9780806143712

ISBN-13: 978-0806143712

ASIN: 0806143711

Product Dimensions:

8.5 x 0.8 x 11 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#1,128,530 in Books (See Top 100 in Books)

The most comprehensive and up-to-date catalogue of Maya glyphs available on the market, which practically has no competition, Montgomery’s dictionary getting a bit old. I find the new approach to categorizing glyphs really helpful and the description of each glyph together with its origin and the history of its decipherment really informative and exhaustive.

This latest catalog presents a system of categorization that make more sense than previous systems, such as J. E. Thimpson's T-numbers. Because of this feature, a person can begin to identify what category a Mayan glyph may fall under and proceed to find it in this book merely by taking visual features into consideration. The introduction is also a great read for anyone not familiar with Mayan epigraphy or the process of decipherment. Although it is a short introduction, the reference section makes up for this. Obviously this book is meant to be a catalog and not a book about the latter subject. A great addition to myLibrary of Mayan glyph collection and it could be yours as well.

Kudos to Macri and Looper! As a historical and comparative linguist and anthropologist, I greatly appreciate the way the authors have organized, analyzed and presented the glyphs of the Classic Period Maya. Their approach mirrors the trajectory of epigraphic research toward linguistic interpretations.What I like about this book:1. Macri's linguistic training and knowledge of Cholan languages contributes a much needed perspective to decipherment.2. The grapheme drawings were beautifully rendered by Looper.3. The introduction brings the reader up to speed with important background informatioon on Maya epigraphy, linguistics, and an explanation and overview of how the new catalog works.4. The graphics include many that were missing from previous works. For graphemes that were included in Thompson's Catalog of Glyphs, the Thompson number appear next to the grapheme.5. Each catalog entry not only includes the grapheme, but all syllabic and logographic decipherments in both Cholan and Yucatecan, grammatical category,and a list of proposed decipherments by various scholars from 1566-2002.6. There are separate appendices for proposed syllabic and logographic values rather than a confusing syllabury.7. The English glosses for the graphemes are listed in a separate appendix8. Appendix 4 provides a concordance of the equivalencies of the new catalog codes with Thompson numbers, Gates, Zimmerman, and Knorozov.9. The Index at the end of the book is user friendly, demonstrating the foresightedness of this new way of organizing graphemes.10. Unresolved debates about linguistic and epigraphic issues do not cloud the purpose of this book.I highly recommend this book to anyone who has an interest or a passion for decipherment.

I waited basically 35 years for this great improvement in Mayan glyph studies. The book specifies in great detail the history of scholars' views of each glyph dependent on Ch'olan and Yucatecan Mayan. I await another 30 or 40 years of glyph-understanding evolution, but this advance leap probably will not be repeated.

The author offers an overall and sometimes confusing summary of glyph readings which circulated over the past ten years, both as published articles and as informal notes. The decipherment of the Maya script has made a real breakthrough in the nineties and Macri's catalog is a good summary of these recent advancements. Its major disadvantage, however, is that it will be of very little value for any beginner. Remember, it is just a sign list, an 'alphabet' of the Maya writing, not a grammar. Unfortunately, no grammar of Classic Maya Choltian has been published so far, largely because of major disagreements between several groups of scholars who offer contrasting reconstructions of this language.What is good about Macri's book:1. Sign grouping is quite convenient and it is easy to find a specific glyph.2. The Appendix with its final sign-lists is also very usefulWhat is not so good...1. The authors seem to be extremely conservative in their understanding of 'signs' in the Maya script. Both 'complex' signs like UCH' and ligatures (conflations when the graphic representation of both signs is affected) are underrepresented.2. Sometimes, it is hard to understand the politics behind the choice of a particular reading and not all possible alternatives are cited (some people may not be happy with such approach).3. As all previous catalogs, this one does not make a conscious attempt to grasp the range of graphic variants of each sign (which is sometimes just overwhelming). Instead, it relies on individual examples.

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The New Catalog of Maya Hieroglyphs, Volume One: The Classic Period Inscriptions (The Civilization of the American Indian Series) PDF

The New Catalog of Maya Hieroglyphs, Volume One: The Classic Period Inscriptions (The Civilization of the American Indian Series) PDF

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Download Ebook Sedation: A Guide to Patient Management

Download Ebook Sedation: A Guide to Patient Management

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Sedation: A Guide to Patient Management

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Paperback: 632 pages

Publisher: Mosby; 6 edition (July 14, 2017)

Language: English

ISBN-10: 9780323400534

ISBN-13: 978-0323400534

ASIN: 0323400531

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8.8 x 0.8 x 10.5 inches

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Free Ebook Trash Revolution: Breaking the Waste Cycle

Free Ebook Trash Revolution: Breaking the Waste Cycle

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Trash Revolution: Breaking the Waste Cycle

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From School Library Journal

Gr 3–6—Using the contents of an average kid's backpack as a starting point, the author explores the production, use, and eventual end of products involving water, paper, food, plastic, clothing, metals, and electronics. Thorough yet never dull or heavy handed, the text offers information about the life cycle of common and necessary materials and the many stages each goes through before it is consumed or discarded. There is emphasis on the need to reduce waste and many facts and statistics are offered to support the notion that the amount of garbage produced on Earth is no longer sustainable. Innovative ideas currently being offered to combat waste, such as edible or compostable spoons, using zoo poop for energy, and cell phones to prevent deforestation in rainforests are discussed. Information such as the time required to decompose running shoes (1,000 years) and T-shirts (six months) will give students a clearer idea of the necessity for repurposing goods or of doing away with the acquisition of unnecessary stuff. A final chapter discussing waste in space moves the problem from Earth into the stratosphere. Amusing and instructive illustrations, charts, and sidebars add interest as well as details pertaining to the waste cycle and will inspire readers to become more educated consumers involved in a zero-waste future. VERDICT Endlessly informative and eminently readable, this book is an invaluable resource for students interested in the creation of goods and the resulting waste cycle.—Eva Elisabeth VonAncken, formerly at Trinity-Pawling School, NY

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About the Author

Erica Fyvie has worked as an academic editor and writer, and has written for magazines and blogs. Breaking the Waste Cycle is her first book for children. She lives in Toronto, Ontario.Bill Slavin is an award-winning children's book illustrator with over 50 books to his credit. His works include Stanley's Party and The Bear on the Bed He lives in Millbrook, Ontario.

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Age Range: 9 - 12 years

Grade Level: 3 - 7

Hardcover: 64 pages

Publisher: Kids Can Press (April 3, 2018)

Language: English

ISBN-10: 1771380780

ISBN-13: 978-1771380782

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Lots of classroom potential. I could see reading aloud sections of this to students or placing particular graphics in the book on a document camera for discussion. For example, there are several diagrams that show how waste is turned into other things (e.g., the process designer S. Lee is using to "grow" new fabric from waste products, industrial process for making paper, the process for recycling aluminum cans to make new ones). A teacher could place one of these diagrams on the document and pose questions like, "What are the steps followed to complete this process? What are questions you have about this? What is left unanswered?" For students engaged in an NGSS unit of study, you could post a diagram and pose questions like, "How are the different states of matter part of this process?" or "How would the live organisms used (e.g., fungi and/or bacteria) contribute to this process?" or "What is the role of energy in this process?"There are a lot of examples of unsolved problems or not as well solved problems - like keeping ferrules (the metal that holds the eraser in your pencil) out of landfills - that students could brainstorm through how to solve. There are lots of examples of small, innovative ways individuals are making a different like Kelly Slater, a professional surfer, creating clothes made out of plastic waste found in the ocean. Thinking through not only what you could do, but the chemistry or processes of turning one source into another, could be a challenge to pose to students.You could book talk this and include in a set of texts on "reduce, reuse, recycle" for students to grab up. Lots of potential for partners reading and having a conversation. You could teach students how to use the coding strategy - placing a small sticky note and notes in the book for information they knew, did not know, are confused about and then asking them to share with each other. (So two partners would read and write a note and then share with a partner.)This could also be used as a mentor text for writers. Before students begin to research or compile research, have a conversation with questions like "How does the author reveal a message through the design of this two page layout?" or "How is the writing cohesive?" or "How does the author develop ideas in each chapter?" or "How does the author draw the reader in?" She uses humor, engaging illustrations. She breaks up the text into manageable chunks of information. And so forth.

I love this book! It's perfect for my 6 & 9 year old girls. They are very curious about what happens to all the things we throw out as well as everyday utilities that we take for granted. It's like a modern day Richard Scarry book but well suited for older children who really want to understand how recycling and waste works.

Informs kids where the products they buy come from and what they cost in terms of hydrocarbons, water waste, etc. in production and then where they usually go when thrown away and how (or if) they break down. Cutting edge ideas of how to make things better for the world are introduced, as well as practical alternatives to use the Earth’s resources in wiser ways.This book doesn’t just tell kids, recycle because it is good. It explains exactly why you should recycle (and whether or not it is even possible), or if there is another possibility to consider. The details on production byproducts and waste byproducts goes into more detail than I’ve ever seen in a book for kids, but it does so in ways that are very understandable and readable. The cutting-edge ideas to make things better are fascinating, and I can see a class getting motivated to encourage their city to implement some of these changes for the good of their area. If you want kids to be wise consumers and take strides to really make changes for the better in the Earth’s environment, this book provides a great tool. Highly recommended for middle grade readers interested in the environment and ecology of the Earth, those interested in becoming more savvy consumers, and of course science classrooms. (And since there’s nothing like this that I know of out there for YA, go ahead and hand it to teens too and those AP Environmental Science teachers too.)I received an ARC of this title from the publisher through NetGalley in exchange for an honest review.

This is an excellent book, directed at pre-teens (but I learned a lot, too!!), about how they can help save the environment. Each chapter focuses on a topic such as water, food, clothing, and electronic devices, and presents friendly and relatable information on how personal, everyday choices can help to reduce waste. It’s far more than a list of what not to do; supported by examples and great illustrations, each chapter includes descriptions of the process and raw materials used to create stuff such as paper, plastic bottles, t-shirts; stats on waste (e.g., 85% of clothing ends up in landfill; it takes about 1,000 years for a pair of sneakers to decompose); information about current recycling processes; and examples of how recycled items are being reused in innovative ways. The writing is clear and humorous (my favourite: “…sheep’s enteric fermentation…also known as burping and tooting.) A great way to get your 9 to 12-year-old thinking about how decisions they make everyday have a direct impact on the future of the planet.

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Download PDF Cleopatra: A Life

Download PDF Cleopatra: A Life

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Cleopatra: A Life

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Audible Audiobook

Listening Length: 14 hours and 16 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Hachette Audio

Audible.com Release Date: November 2, 2010

Whispersync for Voice: Ready

Language: English, English

ASIN: B004AJDGGW

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Award winning author Stacy Schiff likes to take the path less traveled; she never wants to write the same book twice which means she journeys far and wide in terms of the subjects for her biographies. CLEOPATRA: A LIFE allows Schiff to dig into the world of antiquity and she gathers the best known facts about Cleopatra dismissing the fiction wherever possible although she'd admit that it's hard to separate sensationalism of the time, myth and fact about one of the best known and most wealthy women of the known world.Schiff mixes biography, history and gathers from contemporary reports as well as historians over the years trying to sort out that fact from the fiction and opinion of the time.Schiff's book is more a collison of history and biography because so little is known about Cleopatra from contemporary sources. The author provides us with the context of history to understand Cleopatra's role as the last great Queen of Egypt and what her allure would have been to Caesar and Marc Antony the two Romans that became both allies and lovers.I'll admit that I'm not an expert on this period nor about Cleopatra herself but did take a number of classics classes in college and have continued to read up on the subject over the years. From that perspective, I found Schiff's book to be informative, entertaining to read and occasionally enlightening with new facts that I had either forgotten or missed in the my past reading. She also debunks a number of myths that grown around Cleopatra over the years through (such as the fact that she committed suicide by the bite of an asp).We really don't know what Cleopatra looks like (aside from her profile on coins and statues that might possibly be her but as with many portraits from that time there's a very good chance they are incorrect)from the time which may not be a "true" portrait of her)some of the things we do know is that she was of Greek descent. There's nothing beyond a single line that was written by her that survives. Heck, she wasn't the FIRST Cleopatra but the seventh. She's a fascinating figure because she demonstrated the intelligence, wit and style that fascinated the known world of the time AND captivated both Ceasar and Antony. Schiff paints a vivid portrait of Cleopatra giving us context as well--there's plenty of history here about her family and the assassinations that would keep people like her in power.Schiff digs in deep pulling from a variety of sources going back to those who were contemporaries of Cleoopatra (such as Cicero who didn't care for her)Strabo as well as Appian, Dio, Plutarch sifting through their opinions, the bias of many historians and more contemporary scholars as well. As Schiff points out this is her work so any mistakes are strictly hers as are some of the observations and opinions she brings up about Cleopatra based on her research.I did expect her style to be a bit more breezy in nature but it is difficult to accomplish that with such a complex subject and, to her credit, Schiff accomplishes it most of the time although occasionally the book gets sidetracked as part of the author's attempt to document everything fully.Schiff's book is well written and, like her other biographies, well sourced (and footnoted)giving us a taste of the world of her subject and the challenges she faced from Rome and her own family. Recommended.

Ms. Schiff is an excellent historian, and a formidable talent as a writer. But, nonetheless, I found her a plodding story teller. The book is loaded with facts and insight into the period's events and numerous characters; but her writing often meanders into arcane, entwined language. She seems to have no sense of grammar, or paragraphing. Once on a thought line she can roll on over several pages, without taking a breath....or allowing the reader to do so. I suggest a good third of this book can be severely reduced, or completely eliminated, by any proficient editor. This book is not a smooth read.....it requires work and commitment. Having said that...............this book is loaded with deeper human insight into why this passage of history unfolded as it did. The reader easily becomes enamored to Cleopatra, and Anthony. Plus, the events of this period are wonderfully presented (the intrigue, the battles, the politics, the loves, the hatreds) as the saga of the Roman civil war period plays out.........for both serious students or the more casually motivated. It is said that a sculptor sees his final piece hidden within the block of marble he confronts on day one of a project as he then goes about removing the excess.........such is this book. Ms. Schiff's work would be an excellent basis to extract a crisp screen play.........HBO's Rome possibly?

The Cleopatra most of us know is a fictional creation. The story we know comes mainly from the early first century Roman writers Plutarch and Dio. According to author Stacy Schiff, that’s like reading a history of twentieth-century America written by Chairman Mao. In short, our image of Cleopatra is “the joint creation of Roman propagandists and Hollywood directors.” Schiff’s primary point is that “If the name is indelible, the image is blurry.”Her real story, as told by Schiff, is every bit as fascinating as that told by Shakespeare. Cleopatra descended “from a line of rancorous, meddlesome, shrewd, occasionally unhinged Macedonian queens,” Schiff writes and would prove to be a true daughter of her ancestors. Her name, which translates to “Glory of her Fatherland,” is fitting. Born in 69 BC, the second of three daughters in a family known for eagerly liquidating siblings, she would prove to be both the strongest and shrewdest of the brood. She may not have been as traditionally beautiful as legend would have it, but she was certainly sagacious, sophisticated, and well-educated, speaking as many as seven languages fluently, including native Egyptian, the only Ptolemaic monarch to learn the local dialect.From the Roman point of view, Egypt was a tricky subject. The richest, most agriculturally productive region in the ancient world, Egypt was, according to the classicist Ronald Syme, ”a loss if destroyed, a risk to annex, a problem to govern.” Julius Caesar arrived on Egyptian shores in 48 BC in hot pursuit of Pompey, his chief rival in the Roman Civil War, who had just been slain at Pelusium by Ptolemy XIII, a deed for which Dante would place the Egyptian king in the ninth circle of hell next to Cain and Judas. Like others who came before and after him, Caesar was entranced by the grandeur of Alexandria, “the Paris of the ancient world,” in Schiff’s romantic language, the most cultured, the most beautiful, the most refined city ever known to man. Caesar found the young Cleopatra equally intoxicating. He would make her queen – and pregnant.Caesar brought Cleopatra back from Alexandria to Rome, which Schiff likens to “sailing from the court of Versailles to eighteenth century Philadelphia.” He also brought back with him other marvelous creations of Egypt, such as the 12-month calendar, the 24-hour day, and a large public library. “It was difficult for anyone to come into contact with Ptolemaic Egypt and not contract a case of extravagance.” Indeed, one might argue, as Schiff does, that “Cleopatra properly qualifies as the founder of the Roman Empire,” because, as Lucan wrote a century after Caesar’s death, “she aroused his greed.”Cleopatra was a 26-year-old mother of Caesar’s only male child, Caesarian, living comfortably at Caesar’s villa outside of Rome when he was assassinated on the Ides of March. She was blindsided by events and would never again set foot in Rome. She would eventually fall for Mark Antony, Caesar’s most trusted lieutenant, a man “given to good living, great parties, bad women,” a brilliant cavalry officer who possessed all of Caesar’s charm but none of his self-control. Cleopatra needed Mark Antony. Octavian, the inheritor of the mantle of Caesar, was “a walking, plotting insult to her son,” Caesarian. Mark Antony’s obsession with conquering Parthia proved to be a blessing for her as only the wealth of Egypt could underwrite such an expensive campaign.Cleopatra and Mark Antony met at Tarsus in 41 BC. Her effect on the Roman general was “immediate and electrifying,” according to Schiff. The queen engaged in “a take-no-prisoners school of seduction.” The author claims that Tarsus was a rare instance when the life and legend of Cleopatra completely overlap. She brought Mark Antony back to Alexandra where he “swallowed the whole Greek culture in one gulp.” The “barrel-chested, thick-thighed Roman” fell in love with Alexandria, “a city of raspberry dawns and pearly late afternoons, with the hustle of heterodoxy and the aroma of opportunity thick in the air.” Cleopatra bore him twins in 39 BC, Alexander Helios and Cleopatra Selene; but more importantly for the stability of the Mediterranean world, Mark Antony married Octavian’s sister, a marriage alliance not unlike Pompey’s to Caesar’s daughter, Julia, in 59 BC, a union that offered a half-decade respite to internecine strife in Rome.Mark Antony’s long-awaited Parthian campaign was a failure; perhaps not on the scale of the disaster that befell Crassus in 53 BC, but bad enough that he lost 24,000 men (a full third of his army) and recorded no noteworthy victories in 18 modest battles. Meanwhile, Octavian had been piling up successes (e.g. he had crushed Sextus Pompey and kicked fellow triumvir Lepidus to the curb). Schiff writes that Antony was despondent, nearly suicidal. It was Cleopatra’s “blue ribbon rendition of the lovesick female” that rallied him. In the so-called “Donations of Alexandria” in 34 BC, Antony distributed the Roman Empire in the east to their children, who were part Roman and part Egyptian gods. The view from Rome, Schiff says, was that the Donations were “an empty gesture, a farcical overreaching by two slightly demented, power-drunk dissolutes.”In 32 BC Mark Antony divorced Octavia. The pretext for the final showdown had finally arrived. Antony was, in Octavian’s opinion, “irredeemably contaminated by the Oriental languor and the un-Roman luxuries of the East.” He relished the stories of how Antony fawned over Cleopatra like a eunuch, giving her foot rubs in public, among other embarrassing acts of servitude. With the (dubious) claim that Cleopatra was “poised to conquer [Rome] as she had conquered Antony,” the Senate declared war on Egypt in October 32 BC and then voted to deprive Antony of his consulship and relieve him of all Roman authority.“The experience, the popularity, the numbers, were all on Antony’s side,” Schiff writes, “he was the skilled commander behind whom stood the most powerful dynasties of the East” and the vast riches of Egypt with its determined queen who could not co-exist with Octavian so long as her son, Caesarian, lived. Indeed, “Antony could not win a war without [Cleopatra]. Octavian could not wage one.” The culminating battle of Actium in early September 31 BC was as decisive as it was anticlimactic. Octavian had eroded Antony’s superior land force over the course of the summer by maintaining a close blockade. Cleopatra and Antony shamefully abandoned their army and fled to Egypt.The two lovers were cornered. Antony’s army disintegrated. Whole legions defected, as did allied kings. The raucous “Inimitable Livers” of Alexandria, as Antony and Cleopatra once playfully called their retinue, changed their club name to “Companion’s to the Death.” Antony was 53-years-old, Cleopatra 38. Their end was so theatrically dramatic that Shakespeare hardly had to change a thing. When Cleopatra had her death falsely reported to Antony, he fell on his sword in inconsolable grief. He lived long enough to learn that the queen was actually still alive and breath his last breathe in her arms. Nine days later Cleopatra took her own life in turn, most likely by poison, Schiff says. “Cleopatra’s asp is the cherry tree of ancient history”: Schiff claims that there is no way a single snake could have killed the queen and her two faithful attendants, Iras and Charmion, so quickly and peacefully. “A fourth casualty of August 10, 30 BC may well have been the truth,” she writes. One thing was for certain: Cleopatra would never be the crown jewel in Octavian’s fabulous triumph parade back in Rome, where the enormity of the Egyptian riches quickly led to massive inflation and a tripling of interest rates.Schiff wants us to appreciate Cleopatra for who she truly was – and for good reason. For far too long the great queen has been a caricature, completely misrepresented, unfairly maligned, and largely misinterpreted. “It has always been preferable to attribute a woman’s success to her beauty rather than her brains,” Schiff writes, “to reduce her to the sum of her sex life.” Clearly, Cleopatra was much more than a celebrated lover. Nevertheless, Schiff bemoans, “we will remember that Cleopatra slept with Julius Caesar and Mark Antony long after we have forgotten what she accomplished in doing so, that she sustained a vast, rich, densely populated empire in its troubled twilight, in the name of a proud and cultivated dynasty.” That she was “a remarkably capable queen, canny and opportunistic in the extreme, a strategist of the first rank.”Like every other book by Stacy Schiff that I’ve read, this one comes highly recommended. It is that rare book that both layman and experts will find satisfying.

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Cleopatra: A Life PDF

Cleopatra: A Life PDF

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