Free PDF For White Folks Who Teach in the Hood... and the Rest of Y'all Too: Reality Pedagogy and Urban Education (Race, Education, and Democracy), by Christopher Emdin

Free PDF For White Folks Who Teach in the Hood... and the Rest of Y'all Too: Reality Pedagogy and Urban Education (Race, Education, and Democracy), by Christopher Emdin

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For White Folks Who Teach in the Hood... and the Rest of Y'all Too: Reality Pedagogy and Urban Education (Race, Education, and Democracy), by Christopher Emdin

Free PDF For White Folks Who Teach in the Hood... and the Rest of Y'all Too: Reality Pedagogy and Urban Education (Race, Education, and Democracy), by Christopher Emdin

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Review

“The most important work of pedagogy I’ve read in ten years...Dr. Emdin’s humane, and more importantly, effective practices, filled me with great hope and excitement to keep engaging with the community in which I teach.”—John Warner, Inside Higher Ed“Teaches the unlearned lesson that a hip-hop people’s critical perspective must matter in order for authentic teaching and learning to take place, but more importantly the book offers a bigger case for colleges to make room for other hip-hop scholars.”—Dr. Andre Perry, The Hechinger Report“Dr. Chris Emdin...inspired me to become fearless while teaching for social justice.”—Bryan Mooney, contributor PBS NewsHour’s Education Lounge“As the cries to recognize the relevance of Black lives in this country grow louder...Emdin’s advice about how to more effectively serve students (people) of color is a reminder that recognizing their humanity is a critical first step.”—Diverse: Issues in Higher Education"A brilliant, blistering, and bracing call to arms for those who teach and learn in urban America.…Emdin reminds us that the children and young people who throng our urban schools are worthy of every attempt to sharpen their minds and prepare them for a satisfying life far beyond the classroom. If you’re looking for the revolutionary meaning, and imaginative transformation, of teaching for the real America, you’re holding it in your hands! Christopher Emdin is Jonathan Kozol with swag!”—Michael Eric Dyson, author of The Black Presidency: Barack Obama and the Politics of Race in America“Essential reading for all adults who work with black and brown young people...Filled with exceptional intellectual sophistication and necessary wisdom for the future of education.”—Imani Perry, author of Prophets of the Hood: Politics and Poetics in Hip-Hop“A compelling and accessible road map for anyone (not just white folks!) teaching twenty-first-century urban youth. It also confirms Emdin’s reputation as one of the most important education scholars of our generation.”—Marc Lamont Hill, author of Beats, Rhymes, and Classroom Life and Distinguished Professor of Africana Studies at Morehouse College“This volume is a powerful dance of teaching and art. It engages both the art and science of what teachers must do to be successful with all students. It is simultaneously lyrical and analytic, scientific and humanistic, a work of the heart and the mind. It belongs in every teacher’s library!”—Gloria Ladson-Billings, the Kellner Family Distinguished Chair in Urban Education, University of Wisconsin–Madison

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About the Author

Christopher Emdin is an associate professor in the Department of Mathematics, Science, and Technology at Teachers College, Columbia University, where he also serves as associate director of the Institute for Urban and Minority Education. The creator of the #HipHopEd social media movement and Science Genius B.A.T.T.L.E.S., Emdin was named the 2015 Multicultural Educator of the Year by the National Association of Multicultural Educators and has been honored as a STEM Access Champion of Change by the White House. In addition to teaching, he serves as a Minorities in Energy Ambassador for the US Department of Energy.

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Product details

Series: Race, Education, and Democracy

Paperback: 232 pages

Publisher: Beacon Press; Reprint edition (January 3, 2017)

Language: English

ISBN-10: 0807028029

ISBN-13: 978-0807028025

Product Dimensions:

5.5 x 0.7 x 8.5 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

190 customer reviews

Amazon Best Sellers Rank:

#3,288 in Books (See Top 100 in Books)

For White Folks Who Teach in the Hood... and the Rest of Y'all Too is a book for more than just white educators who teach primarily minority students. The book focusses on low income, urban schools which have a majority of black and latino students, but the themes can be applied to any scholastic or workplace setting. It is essentially a tutorial on a how to build a communal atmosphere in the classroom and then use that framework to motivate students to learn. Christopher Emdin shows why a traditional background in modern educational practices is not enough to motivate disadvantaged kids to learn. He uses his own experiences to illustrate how easy it is to falsely confirm biased preconceptions. Then he explains how the heart of the problem lies in how those elevated into administrative positions create policy based off those preconceptions. The overall tone of the book however, is optimistic. Emdin provides a strategy for making substantive change in urban education. The book effectively portrays the disconnect between white teachers and students of color. Emdin refers to these students as neoindigenous, literally meaning “new indigenous”. He believes their struggles are deeply related to those indigenous Americans experienced as the Unites States expanded and forced integration. He argues that the primary cause of discord in the past was the failure to acknowledge the value of Native American culture and incorporate it into Western dogma. Emdin claims that the same thing is happening today to black and brown students.” The leaders within the field of urban education can’t fathom the day-to-day experiences of urban students who see themselves as ready to learn despite not being perceived that way.” He proposes that schools are alienating students from their communities as they attempt to “reform” them. One of his core ideas is that Neoindigenous are failing because teachers treat them as if their culture is inferior. They think the only way to achieve progress is by erasing their identity and replacing it with obedience. Emdin makes it clear that this only leads to either rebellion or soul crushing submission. The best solution is sympathetic insight.“Addressing the issues that plague urban education requires a true vision that begins with seeing students in the same way they see themselves.”He acknowledges that it isn’t the teacher’s fault, that teachers are trying hard, but the methods they are instructed to use don’t reach neoindigenous populations. Emdin does a great job of introducing educational concepts and showing how to properly employ new techniques in the classroom. Each chapter of the book builds upon the ideas of the last to create a broad strategy. Every method he suggests is related to fostering a communal atmosphere, resulting in what he calls pentecostal pedagogy. In his own words “Pentecostal pedagogy considers the language of the students, and incorporates it into the teaching by welcoming slang, colloquialisms, and “nonacademic” expressions, and then uses them to introduce new topics, knowledge, and conversations...Pentecostal pedagogy teaches us that once student voice is prominent in the classroom, and a classroom family structure has been established, issues that traditionally plague urban classrooms, like poor management and low participation, are quickly addressed or even self-corrected.”The core tactic designed to implement pentecostal pedagogy is the cogen. Cogen is short for cogenerative dialogue, meaning a discussion among the teacher and students about their collective needs. By collecting a small, diverse group of students from the class and making them comfortable enough to share their thoughts the teacher gains a great deal of insight. After the cogen is established Emdin shows how it can be used to create a cosmopolitan classroom, one which lets students feel connected to their class and educational goals. The key is allowing students to take part in the process.“students in traditional K– 12 schools have to be viewed as partners with the adults who are officially charged with the delivery of content and be seen/ named/ treated as fellow teachers or coteachers.”Emdin chronicles his past experience with these methods by highlighting his success as well as the hurdles to proper execution. Perhaps the most demanding instruction the book suggests is that educators must go outside their comfort zone and into the neighborhoods of the neoindigenous. The majority of teachers never identify with their pupils beyond the teacher/mentor relationship. Emdin believes to really know someone you have to go where they live.“it became clear that there are three basic steps to fully learning about, and engaging with, students’ context….The first involves being in the same social spaces with the neoindigenous, the second is engaging with the context, and the third is making connections between the out-of-school context and classroom teaching.”This step is the embodiment of all the other processes in pentecostal pedagogy. Emdin contends that to really know someone and make genuine connections you have to enter their social spaces. I think Christopher Emdin does an incredible job of demonstrating how to use pedagogical techniques in any environment. The focus is the neoindiginous population but I think the insight he provides is universally applicable. The layman reader will finish this book with a deep understanding of why many kids are struggling and how to fix it. Professional educators will have a refreshing example of how to use the tools they have acquired in their own education to reach their students.

A great read. This author is very insightful and offers great information on how to educate African American children. I recommend that educators read this book. I guarantee you it will force Educators of any race to reevaluate education children of color.

This book brings cultural diverse strategies into any classroomIt also brings awareness of becoming complacent and thinking one size fits all in education

This could help Black teachers too.

although you mind find the title a bit comical - this book should be a requirement for any teacher trying to connect with urban students. Written by credible, former educators - contains plenty of theories, strategies and ideas to help you teach to your students more effectively. a culturally relevant pedagogy pioneer!

Horrible! This book was more like an essay on how white teachers are to blame for the failure of the education system. It offered no insight or real help. I want my money back.

Half way thru and my perspective has changed even as an African American teacher

This book was hard to read in the beginning. I never looked at myself from the authors perspective. The more I read the more understood. I need to change the way I address my urban classroom. I'm up for the challenge! Thanks

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Download PDF The Unheard, by Josh Swiller

Download PDF The Unheard, by Josh Swiller

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The Unheard, by Josh Swiller

Download PDF The Unheard, by Josh Swiller

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From Publishers Weekly

Although doctors diagnosed Swiller's deafness early enough to fit him with hearing aids, the young man from Mantattan's Upper West Side still felt different. As a young adult he drifted from college to college, job to job, relationship to relationship, never quite finding what he was looking for: a place beyond deafness. He found that place in the mid-1990s, when the Peace Corps posted him to a remote corner of Zambia. During his two-year stint working in a run-down health clinic in a rural village, he fought for irrigation projects and better AIDS facilities. He befriended a young local who played chess and provided constant counsel in the ways the young white American could—and did—run afoul of local tribesmen (and women) and their age-old ways. Deafness would have provided a unique sensory filter for anyone, yet while Swiller may have his particular aural capabilities, he also has literary talents—an eye, a voice and a narrative talent—in abundance. A story in any other Peace Corps volunteer's hands might have been humdrum, but in Swiller's becomes intensified, like the rigors of day-to-day Zambian life, through deprivation. (Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

“I thought I knew about the Peace Corps until I read Josh Swiller's hilarious, troubling, and at times frightening recreation of his time in Zambia. His wit spares no one--least of all himself--and his generosity of spirit encompasses nearly everyone. His experiences in Africa transformed him, and this book will transform readers.” ―Laurence Bergreen, author of Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe“I was riveted by this book from page one. Swiller shouldn't have lived to tell this tale, much less been sent to a village in deepest Africa that the locals called 'Gomorrah.' But he did, and he's returned with something priceless: a story suffused with humor and love about a place where corruption and death were regular visitors. Swiller hears the rhythms of language and life far better than most people with two normal ears.” ―Michael Chorost, author of Rebuilt: How Becoming Part Computer Made Me More Human“As my mother used to say, ‘You got your listening ears on, bub?' This is not gimp chic, nor misery memoir, but a book as deserving, funny and brave as a deaf man digging wells in hardest Africa. Hoo boy. And I thought being blind at the bus depot was harrowing. Yeesh.” ―Ryan Knighton, author of Cockeyed: A Memoir“Josh Swiller was 22 and profoundly deaf when he applied to the Peace Corps in search of adventure. And indeed, adventure he found. His experiences in Zambia are eloquently recounted in his hard-to-put-down memoir of deafness and Africa, 'The Unheard'.” ―The New York Times, Health section“Several ingredients are crucial in a memoir like this: humor, the ability to see enough details to make the scene come alive and a dispassionate compassion. Swiller has them all.” ―Los Angeles Times“[Swiller's] appealing, intelligent narrative serves both as a coming of age story and as a penetrating light into one corner of a tormented continent.” ―Washington Post“Josh Swiller rewrites the familiar African narrative with a purity that makes the tragic beauty of that devastated continent a stunning novelty for readers. We experience the rich, tangible passions of love, honor and revenge in Africa, amplified a thousandfold in the quiet world of the deaf.” ―New York Observer

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Product details

Paperback: 265 pages

Publisher: Holt Paperbacks; First edition (September 4, 2007)

Language: English

ISBN-10: 0805082107

ISBN-13: 978-0805082104

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 14.1 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

68 customer reviews

Amazon Best Sellers Rank:

#180,191 in Books (See Top 100 in Books)

What a beautiful book! I was so moved by the author's honesty, humor, insight... and grateful for the deeper understanding into what it means to be deaf. As someone who was raised in Africa, I'm grateful to Josh for the eloquence with which he articulates the strange mix of raw, often violent existence and what he calls Africa's grace; the same mix that opens your heart as it breaks it. This book brought to the surface again why I miss Africa so much and why I don't live there any more. I wish Josh had done consecutive stints as a Peace Corps volunteer in village after village so that we could have "The Unheard: A series." As an avid reader of all things African, the greatest compliment I can give Josh Swiller is to put him up alongside Alexandra Fuller. It's an accomplishment he deserves. Bravo!

A talented writer with an incredible story. This book will give you insight into an entirely new world, one most of us will never know. It will also make you laugh out loud, be grateful for where you live, and the friendships you have. A truly beautiful story and life well lived.

I was also a member of that first group of PCV's to serve in Zambia and Josh and I were two of the eight who completed our commitments, although a couple of those who didn't complete their stint left for health reasons. I loved his book, and was unable to put it down once I started on it. I'm only mentioned in the book once, a bit out of character. Page 42: I'm the "middle-aged alcoholic from Michigan" (I object to the "middle-aged" part, as I was but a young lad of 39 at the time).The story of Josh's departure from Munungu was never fully revealed to me until reading the book. Like all government-related organizations, Peace Corps is great at keeping secrets and rumors always abound. Josh and I were not close but we did bond a bit after he returned to Kabwe and was once again teaching the deaf students. It was only upon reading the book that I gained an appreciation for his intellect and the really horrible experiences he had in Munungu. At Peace Corps meetings or functions, he always seemed distracted, not interested, withdrawn. After reading the book, my eyes are opened to what the guy endured up there in Munungu and what being deaf is really all about.I pre-ordered the book, with low expectations. Basically, I was concerned about what he may have said about me. What I did not expect was the clarity and smooth-flow of the narrative, the exceptional descriptors of characters ("voice like firecrackers" comes to mind), the entirely accurate desriptions of life in a bush village. A lot of what he wrote brought tears to my eyes, as I had experienced similar things in my own village of Lukwesa. Plus, I knew or had met a lot of the people he talks about in the book.After reading it, I was ashamed at myself for not getting to know him better while in Zambia those two years, for underestimating his abilities, for not have taken more time while there to help him with his problems instead of selfishly concentrating on my own. The book opened my eyes to a lot of things that were happening right under my nose, but in my hearing ignorance I was blind (equally handicapped) to events as they occurred in regards to brother Josh. My apologies, Josh.This is a great story written by a courageous young man who coped with a host of things (in Zambia as well as dealing with his own deafness) way better than those of us who are not so impaired. I vouch for its truthfulness and content and I know I will be reading it over and over again until the pages are frayed at the corners and the book will lie open voluntarily at whatever page number I'm on.Greg IrishLas Vegas, NevadaMember of Peace Corps Zambia One

I met Josh very briefly about 8 months ago at Gallaudet. One of the friends I was with had arranged to meet him; I just said hello, exchanged pleasantries and left, following the rest of my group. When my friend caught up with the group, she was not too happy because I guess she was expecting Josh to recount his entire time in Africa so she wouldn't have to read the book. After that, I decided that I would read "The Unheard" on the off chance that I would meet Josh and we could have a conversation without the major stumbling block of not having read his book.By the time I got around to reading it, my own hearing loss had recently been diagnosed. It wound up being the perfect timing. I was trying to figure out where I fit in and who I was.The thing that really made this book helpful and successful for me was that it wasn't trying to be more than a memoir. He wrote about his experiences and what it meant in the context of his life. Memoirs can sometimes be so full of delusions of grandeur that they're just not worth reading. The writing was clear and concise without being short or choppy. This book wasn't trying to spell out ways to fix the way the Peace Corps works in Africa or provide a dissertation on the heirarchy within the African diaspora or be a self-help book suggesting you spend two years in the Peace Corps to learn about yourself and fix your problems. I probably wouldn't have made it through the entire book if it had tried any of those things.

Others have given a powerful and complete synopsis of the content of the book. So I'm going to take another tact and strongly recommend it because of its honesty, hubris and humor in presenting the challenges of coping with deafness. With these qualities it shines Light and uses words to describe a powerful experience of cultural compatibility and dissonance from a place of hearing as well as the wisdom/reflection of inner silence. With the highest "magic" of the universe's synchroncity I purchased "the Unheard" the day after I visited a deaf patient and her mother as a chaplain volunteer in a large hospital. I needed to ressurect my basic, rusty sign language to communicate. The next day I heard Josh interviewed on NPR and guessed that his book would sensitize me to communication issues, the deaf community, coping mechanisms, the value of experiencing different cultures, and the search for meaning in life's largest, most encompassing questions. It's all "hear" in Josh's book. I'm starting my second reading. Josh, your are philospher and poet and I hope you know it!

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Download Ebook Folk Art Fusion: Learn to paint colorful contemporary folk art in acrylic, by Heather Galler

Download Ebook Folk Art Fusion: Learn to paint colorful contemporary folk art in acrylic, by Heather Galler

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Folk Art Fusion: Learn to paint colorful contemporary folk art in acrylic, by Heather Galler

Download Ebook Folk Art Fusion: Learn to paint colorful contemporary folk art in acrylic, by Heather Galler

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About the Author

Heather Galler paints with oil, acrylic, and mixed media to create bright, cheerful folk-art paintings, ceramic tiles, jewelry, and more from her home in Austin, Texas. Her prints are sold by more than 50 retailers worldwide, and she has been featured on Comedy Central, USA Network, CBS, and Nickelodeon. Learn more at www.findfolkart.com.

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Product details

Series: Folk Art Fusion

Paperback: 128 pages

Publisher: Walter Foster Publishing (March 1, 2017)

Language: English

ISBN-10: 1633221989

ISBN-13: 978-1633221987

Product Dimensions:

8.8 x 0.4 x 17.6 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#620,546 in Books (See Top 100 in Books)

The artist deserves 5 stars, but the book deserves only 2. I had high hopes because this book seemed to unite my love of Frida Kahlo, Dia de los Muertos, vibrant colors and folk art. The artist delivers on the style but the book breaks down on substance. I hate posting negative reviews of an artist's work, and the only reasons I do are- 1) to prevent others from feeling cheated by too many positive reviews, and 2) most importantly, to help the author with any future books.Heather Galler has a great style- very appealing colors and bold lines and patterns. What I'd hoped for from the book was instructions on how to paint in a folk art style, how to see things and draw in that style. I would have loved to see the images that inspired her and how she interpreted them. How did she create the patterned backgrounds and the stylized faces? There are only a few pages at the front of the book that discuss paints, other materials, techniques, styles and interpretation. I mean like 8 total, and that includes several full page paintings and lots of white space. There is only 1 photo of a Chihuahua in a hat and serape next to a painting of the dog, and 3 sentences that basically say I picked this Chihuahua because I like Chihuahuas. You could have fit all 8 pages easily on 2. The remainder of the book is 16 chapters of completed individual paintings with line drawings and instructions to just copy the drawing and then copy the colors. The instructions say things like "With a light purple paint pen, draw random sized polka dots on the purple background" right above a picture of that stage of the painting with purple dots. There are no references to why paint colors were chosen or how you can vary the background, absolutely no room for individual interpretation. This is pretty much a coloring book that you have to transfer to canvas. Several of the reviews mention something like this, but not that every single painting/chapter is like that. I really can't emphasize enough the allover skimpiness of information. The gallery at the back had some very cool paintings (especially the image of Einstein) but with no info on them at all.Overall, this book is a huge disappointment. I'm keeping it because I like her work, but if you see the sample chapter of Frida Kahlo, that's pretty much all there is to the rest of the book- 16 simplified images painted exactly the same way. There's no progression of techniques, just the same instructions over and over again.

This is a great inspirational art book for beginners. I just finished the painting that is on the front cover and had so much fun doing it. There are a few projects that are very basic, e.g. the landscapes and some that have more detail. You may be disappointed if you are already an experienced painter; as I mentioned it is more for people who are just starting out.

As the owner of many original paintings by Heather Galler, this book is a fascinating look into the making of her art. It makes a wonderful coffee table book and conversation piece. It would be a great gift for anyone who appreciates "folk art" or who is a budding artist. The selections of paintings include portraits (such as Frida Kahlo as shown on the cover), animals, cities and landscapes.

I just love Heather Galler's artwork and have ordered quite a few pieces. This book is just awesome and helps you learn how to create folk art yourself.

This book basically gives you templates to trace to reproduce the artist's version of the folk art painting. No info on folk art itself or how to really learn to paint in a folk style. Very disappointed in the book overall.

I've been a Galler fan for several years and this book is wonderful. I would recommend for anyone who enjoys mixed media work and/or folk art.

Absolutely love this book!! I wish this artist had others to buy.

I love this books and it's great easy to follow steps. Templates are available online for each painting. Can't wait to get started!

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Get Free Ebook Darkest Hour: John Alite: Former Mafia Enforcer for John Gotti and the Gambino Crime Family

Get Free Ebook Darkest Hour: John Alite: Former Mafia Enforcer for John Gotti and the Gambino Crime Family

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Darkest Hour: John Alite: Former Mafia Enforcer for John Gotti and the Gambino Crime Family

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Audible Audiobook

Listening Length: 5 hours and 44 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Tantor Audio

Audible.com Release Date: December 25, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07LCRQMR8

Amazon Best Sellers Rank:

If you didn't grow up in the city and your reading this book, you'll wonder how Johnny n his friends survived school. Especially through the racial wars. It seems they all had to be violent and know how to fight at the drop of a hat at any given time. Another amazing thing is John was riding the subways at age 5 and knew how to avoid shakedowns buy the pandhandlers.His dad taught him well! SC Pike also offers an in depth look at the back room gambling and betting that went on with Matt A.and some Mob counterparts. Johnny and his dad had an amazing cheat system in place during card games that had me smiling just imagining how he through the signals.Great book!

This book was not what I expected. I thought I was buying a book based on one of Gotti's hit man and his life in "the life". However this book tells the story of John Alite's childhood. I think the author should have condensed the three books. It's an interesting story to a point, but it wasn't gripping.

Darkest Hour is gritty, honest, and raw. It showcases a time and era in the streets of New York long forgotten and swept away by history.John Alite’s tale may only be one of many but is written in such a gripping way to the reader they can’t help but be at the edge of their seat.SC Pike tells a tale of a child born to the streets which raised John to become a killer for a notorious mafia family and how he now takes his knowledge and applies it to help children escape the kind of life and better themselves.This is an intriguing story of survival and redemption.

This is the worst and I mean worst book I've ever read. I have read every Mafia book that has been written. This was the most boring one of all. The whole book was about his childhood not one thing about his interaction with the Mafia. I'd love to get my money back. Horrible read.I wouldn't give it any stars but you have to give it a least one.

I couldn’t put this book down! S.C. Pike grabs your attention in Chapter 1 with the early life story of John Alite, a notorious Mafia Enforcer, and doesn’t let it go! The perils that John faces during his childhood and young adult life that lead him to being a hit man are perfectly captured in this book, and you will be surprised to discover that you actually like him...guaranteed! Can’t wait for Book 2!

Don't bother. It is poorly written. No message just self serving crap. Whoa is me and idiotic excuses. Stay away.

Typical mafia yarn, nothing new or different than dozens of other mob books.

Has nothing to do with the mafia. The entire book is his childhood.

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Ebook Free Spanish Colonial Style: Santa Barbara and the Architecture of James Osborne Craig and Mary McLaughlin Craig

Ebook Free Spanish Colonial Style: Santa Barbara and the Architecture of James Osborne Craig and Mary McLaughlin Craig

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Spanish Colonial Style: Santa Barbara and the Architecture of James Osborne Craig and Mary McLaughlin Craig

Ebook Free Spanish Colonial Style: Santa Barbara and the Architecture of James Osborne Craig and Mary McLaughlin Craig

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Review

"The red-tile roofs, white stucco walls, and wood-beam ceilings that have become synonymous with Santa Barbara’s Spanish-derivative architecture are owed as much to architects James Osborne Craig and Mary McLaughlin Craig. . . [Spanish Colonial Style] anthologizes James Osborne Craig’s works spanning 1915 to 1922 and Mary McLaughlin Craig’s later embellishments (from 1923 until 1956), creating a fluid evolution of the aesthetic that made Santa Barbara architecturally relevant on an international scale."-ARCHITECTURAL DIGEST

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About the Author

Pamela Skewes-Cox is an artist and writer based in Massachusetts. Robert Sweeney is the author of Casa del Herrero: The Romance of Spanish Colonial. C. Ford Peatross is founding director of the Center for Architecture, Design, and Engineering at the Library of Congress. Matt Walla is the photographer of Casa del Herrero.

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Product details

Hardcover: 272 pages

Publisher: Rizzoli (October 13, 2015)

Language: English

ISBN-10: 0847846121

ISBN-13: 978-0847846122

Product Dimensions:

9.3 x 1.2 x 12.4 inches

Shipping Weight: 4.2 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#196,211 in Books (See Top 100 in Books)

This is a excellent compilation of works by James Craig and Mary Craig. This book covers several architectural and interior designs of Santa Barbara style homes. In my quest for information on this subject I just by chance came upon it. I have many books that direct attention to the Spanish colonial period but this book really covers the subject well.The revival of the period came about in Los Angeles when up and coming societal families were engaging artists to create luxury homes. Los Angeles with its Mediterrean climate lended a hand in the decision of selecting designs of old Spanish colonialism. The vegetation of the Los Angeles basin strikes a wonderful accent to the stark white and umber browns. Many of the colonial homes still stand in their glory and since many were built in the Santa Barbara region, they have absorbed the name into their description.I have used this book to identify the architectural qualities of the home that I am renovating. The home was originally of Spanish colonial design. The design has lost its way with interpretations that infuse other periods into the whole and I am trying to redirect these into a strong Spanish motif. I am using the information from this book to better enhance those qualities that are already manifested in the building. I am very keen on the details of the period. This book defines the Spanish Colonial period through the arched doorways, and textural highlights. Whole houses are examined, from the blue prints to the finishing touches of exterior lighting. Examples are given of various handrails, as well as the styling of fireplaces. If you are renovating an existing home or savoring the elegance of the period, this is a collection of drawings and photographs that you will enjoy reviewing. I highly endorse this collection.

For those who love Spanish Colonial Style architecture, as I do, this is a fabulous book. And for those who love the architectural style of Santa Barbara homes and buildings this is for you. The research is excellent. The photographs are beautiful. It is a wonderful history of two amazing people who influenced the style and beauty of Santa Barbara homes and offices.

This is an excellent study of James Osborn Craig's designs in Santa Barbara. It is quite complete and well photographed. It is an excellent addition for those who are interested in Spanish Colonial Revival Architecture.

Beautiful book!

Wonderful Book.

Excellent well researched text...much new information on early Santa Barbara families. Historic photographs.

Expected more pictures.

GOOD BOOK

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Download In the House of the Riddle Mother: The Most Common Archetypal Motifs in Women's Dreams

Download In the House of the Riddle Mother: The Most Common Archetypal Motifs in Women's Dreams

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In the House of the Riddle Mother: The Most Common Archetypal Motifs in Women's Dreams

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Audible Audiobook

Listening Length: 2 hours and 38 minutes

Program Type: Audiobook

Version: Original recording

Publisher: Sounds True

Audible.com Release Date: November 19, 2014

Language: English, English

ASIN: B00PUXVHI6

Amazon Best Sellers Rank:

Pinkola Estes is not only a reputed Jungian psychologist but also a natural storyteller. She is able to link and connect naturally dream themes, concrete dreams from real people, world legends, fairytales and myths, and look at dreams as part of a whole, as a world of magic that is interrelated to other worlds of magic. She has a very mellow soothing voice, perfect for a therapist, but her whispering is not only a sweet song to your ears, but also a deep poetic and humorous exploration of our dream world. I loved some of the stories she tells, and the fact that her analysis of the motifs is really rich, deep and colourful, multifaceted, and not the usual monolithic this theme means this, and that theme means that. These themes have been discussed in many dream dictionaries and dreamwork books, but I found that Pinkola Estes's analysis brings many more things to the table than other analysts.The themes or motifs that Pinkola Estes discusses in this book are the following: 1/Animal dreams. 2/ Flying dreams. 3/ Precognitive dreams. 4/ Snake dreams. 5/ Paralysis dreams. 6/ Incommunication dreams. 7/ Dreams of blood. 8/ Disaster dreams. 9/ End of the world dreams. 10/ Dreams about giving birth. 11/ Dreams about finding a baby. 12/ Dreams about finding of losing a treasure. 13/ Teeth dreams. 14/ Toilet dreams. 15/ Dark force dreams with a nasty man or woman. 16/ Sexual dreams. 17/ and dreams of nakedness.The most important things that you'll learn from this work (beyond the interpretations and meanings that Pinkola Estes attaches to the discussed motifs) are the following: 1/ Your dreams are yours, and must be interpreted and be related to who you are, your life, circumstances, psyche and soul, and no cookie-cutter of an interpretation will fit two different people. Symbols are universal, but also fit into the psyche of different people in different ways because they are infused in the individual psyche they sit on. 2/ You cannot disregard or ignore the instinctive feeling you get when you have a dream about what or whom the dream relates to. In the past, I have found to be true for me. 3/ Dreams are not only individual, but relate to themes, symbols ad stories contained in old legends and myths and they are part of an interrelated magic world that is also very real, a world pregnant with meaning, a whispering voice that comes from your own unconscious. When your dream relates to a specific theme and that theme makes sense to you, you will get an aha moment, like two piece of a magneto getting together when put together. 4/ Finally, as the title of the book hints, dreams are like riddles, pun confusing intricate queries that are embedded with a message from your psyche to you.The main downsides of the book are three. Firstly, Pinkola Estes' tone is a bit flat and lacks coloratura, so I found difficult to keep engaged and focused for long periods of time. Secondly, these lectures should be about themes in women's dreams, but many of the themes discussed here are not specific to women, but general dream themes that everybody has; it is not always clear in which way the discussion differs if they are dreamed by men or women and, besides, sometimes the author clearly states that the theme is universal. Thirdly, the author has a tendency to talk assuming that things in our heads are as clear regarding the connection between motifs, myths, legends and specific dreams as are in hers. Finally, the question arises, if dreams are individual and particular to each person, and myths and legends are Universal, how exactly universal themes relate differently to different individuals?This is a very enjoyable audiobook, quick to listen to, and one of those books that you want to listen to more than once.

I really enjoyed listening to this. Clarissa Pinkola Estes has shown that she has great insight into women's dreams and what she said truly resonated with me. She also has a very lovely speaking voice - which makes a huge difference to how I receive the information. I have enjoyed her work since "Women Who Run With The Wolves" and this was not disappointing in any way.

As always Clarissa tells a story that engages you fully. I just love her wisdom and NEVER tire of listening to her talk. I love metaphors, they really create an understanding to life.

Her work is a gift to humanity.

...i adore the mythology woven throughout...

This author has the most depth, and versatility of any author I have ever red. This is most informative and educational material about the subject of dreams and our complex being.

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